My random numbers relate to these decks this week:
- Margarete Petersen Tarot – by Margarete Petersen (English edition with gray borders)
- DruidCraft Tarot – by Stephanie Carr-Gomm & Philip Carr-Gomm & Will Worthington
- Ancient Italian Tarot – published by Lo Scarabeo
I’ll go with the Margarete Petersen Tarot. The number for it actually came up twice, one directly after the other, so I’ll take the hint. I’ve used the deck for a couple of weeks in the summer of 2009, so I’m curious to see how it feels in a different season. Back then, I relied much on the companion booklet, and remember it had some interesting poetry for the majors. It’s probably a bit absured that I bought the English version of a German deck (being a German in Germany, and all), but my tarot/spirituality language really is English, so that makes sense to me. I’ll try to see if I find the German versions of the poems somewhere – might be an interesting comparison!
As usual, here are some initial impressions:
The cards are huge and nicely proportioned (I prefer wider/shorter decks than the standard Lo Scarabeo ones). Most of them are pretty abstract (the minors more than the majors) and have a beautiful range of colors. This deck has some of the most gorgeous backs I’ve ever seen. Which is a good thing since I’ll be shuffling slowly and carefully this week, so I’ll see a lot of them. One spontaneous thought is that these cards might work well with the Shaman’s Oracle by John Matthews and Wil Kinghan — the two decks have a similar way of working with color.
I’m a little bit worried about my ability to read these images without using the book all the time, but I’ll try to do some extra exchanges for reading practice. Maybe I’ll also offer some readings for feedback on AT.
The Margarete Petersen Tarot connects me with an earlier time in my life. I actually once got the Star on a postcard from a very dear friend back when I was a young lesbian feminist. I didn’t know it was a tarot card back then, but I had it up on my wall for a long time because I had (and have) a thing for spirals. The foreword for the companion booklet has been written by Luisa Francia, who is a very unique German author of very unique feminist spirituality books. I first encountered her writing around the same time as the Star image. I didn’t agree with everything she wrote but I liked her “anarchist” approach to spirituality. She just didn’t seem to have any conventional taboos, and I admired that. I also associate the deck and its creators (and the community they came from) with a certain kind of feminist shamanic/trance work, something I knew about early on but was never able to fully embrace despite some attraction. Even today, I remain torn about this, feeling partly drawn in and partly repelled.
The last time I used it, I had just finished university and was also working through a strange crush on someone rather unexpected (which in itself offered many flashbacks to earlier crushes). It was a time of many changes and many questions.
So I’m very curious to see how I will connect to the Margarete Petersen Tarot this week and if I will make any re-connections to these times/themes of my life (and if so, what kind)!